Sony FX6 reviewed – the lowlight cinema camera champion, A hands-on review of the GoPro HERO9 Black, Sigma fp review: An odd but capable cinema camera with potential, The best lights for video production — 2020. There are also several 1/4 20 mounting holes along the top of the camera. The Sony version doesn’t have it … The third camera in Sony’s Cinema Line, the Sony FX6 is a full-frame cinema camera that's lightweight and fully featured. Thank you. Recording Format: XAVC Long, XAVC Proxy, H.264 / AVC, 4:2:0 8-bit, MP4 wrapper, AVCHD On a more positive note, it’s not all bad news in terms of mounting accessories. It seems with this release that Sony intended to make a camera that feels more like the C-100 Mark II. The third camera in Sony’s Cinema Line, the Sony FX6 is a full-frame cinema camera that's lightweight and fully featured. Gain Selection: 0, 3, 6, 9, 12, 15, 18, 24,27, 30dB, For stills and video? A native ISO that high is a big bummer. Sony builds its predecessor, the FS5 II, as a small body super 35 cinema camera. Nikon 1, Canon M and Fuji X and have no camera with stabilization and some Nikon 1 models have no moving parts at all (no shutter, no mirror) which brings other advantages. What we we’d have really loved to see is the low light capabilities of Sony’s a7S II put into a better form factor with easier controls and XLR mic inputs. Sony told me today that the HDMI output is only 8-bit in both 4K and HD modes (which contradicts what we had previously been told). We were especially happy with the weight of the camera. The adjustable handgrip feels good in the hand and should be comfortable even after long periods of shooting. Clear Image Zoom is a function that uses the Sony® exclusive By Pixel Super Resolution Technology. Camera brands are bragging about stabilization -- but what does it all mean? Sony claims that the image stabilization of A7R IV is effective up to 5.5 stops. What the Sony FX6 will cost is a little up in the air as well. Also, image stabilization works perfectly on Canon glass with the adapter. It felt nice in-hand, allowing simple shooting at both low and high angles. The α7 II is the world’s first full-frame camera with 5-axis image stabilization and provides camera shake compensation for wide-ranging mountable lenses. This is a bit of a shame and I would have preferred to see a better one in there. I’ve used it on my Sachtler FSB8 tripod head and Gitzo legs without any problems. So although it’s a world camera, it makes shooting at 240fps harder if you are a PAL user – you’ll need a card specially for that speed. Overview. Pricing. It also lets you pick out footage at exactly the point that you want. As well as using the usual mount point on the front of the camera you can also put it at the rear of the handgrip, or on top of the camera when the handgrip is removed – which may be useful on a brushless gimbal, for instance. With its adjustable grip, it’s reminiscent of the Canon C-100 and C-300 form-factor. It is also possible to record 120 fps with up to 16-second cache recording. I shot a lot of REC.709 footage with the camera in 10-bit HD 4:2:2 and it seemed to hold up pretty well when I tried some rough grading on it. Body, Lens & Accessories: 4.9 lb / 2.23 kg (with 18 to 105mm lens, lens hood, large eyecup, LCD viewfinder, top handle, grip). It was just far more usable on the FS5. I took pictures with long and short shutter speeds. It’s good that the FS5 has a variable neutral density (ND) filter because without it that minimum ISO would be a huge problem. This is the same 14.4v BP-U battery type as the EX-1, EX-3, F3 and FS7 so if you’re an existing user of one of those cameras you’ll be able to use your existing batteries. Plus, the FS5 comes with clear image zoom which is fantastic, but didn’t work when shooting HFR. The value for us was just not there with the PZ 18-105mm f/4 G OSS; we’d just rather spend the saved money on a better piece of glass. The body is so light that it does make it hard to use zoom lenses on the Movi but I’ve created a great setup that proves to be very powerful. Lastly, it’d be awesome for Sony to give this high-end camera a full frame sensor, but now we’re just dreaming. I was happy with the results of the 70-200, but I had the 85 set at 1.3 so it was difficult to follow the subject and keep it in focus. The key differences are in higher bitrate HD recording, the 4K option and super slow motion options. You are therefore essentially stuck using the Sony handle. Nailing the exact point of focus is difficult and you end up spinning the dial frantically if you want to rack quickly from one end of the focus range to the other. I currently have the 18-110 which is in my opinion the best value all round lens for its price, useability and functionality. The C100 has a 4K sensor but only gives you the option of HD. There are several mount points on the rear of the grip, and you can turn one into a cold shoe with an included adapter. I've found that trying to shoot from a stationary automobile with the engine running hoses the image stabilization on the RX10 IV and I can't get a decent telephoto shot. The focus ring was slow to respond and offered very few degrees of rotation, making find focusing difficult. So at the end of the day, we can’t fault Sigma for not including IS in this lens. Another great improvement with the FS5 is that there is now a viewfinder. Sony’s image stabilization reduces the effects of camera shake. On the subject of outputs, Sony have previously stated that when they update their firmware in January 2016, you will only get 4K picture to two of the following three output options: 1. It also offers Optical Image Stabilization. Joe Simon from The Delivery Men has done just that and had this to say via email: “So I’ve setup my FS5 on the Movi 10. If you don’t want to shoot S-Log and have to grade your footage, the FS5 does make a lovely picture when shooting with the Cinegammas that can be used ‘as is’. One thing to note is that slow motion shooting doesn’t seem to work with this mode. PXW-FS5 camcorder pdf manual download. This camera really excels at run-and-gun shooting. And internal zoom means the front of the lens does not extend, so it will not interfere with your matte box. If you’re starting out with the Sony FS5, and going for a cinematic look, here’s a setup guide that will have you up and rolling fast.. Codec. The FS5 autofocus is sluggish in comparison and feels very much like the system on the FS7. But the edge goes to Sony here, because you can choose 4K if you really want the resolution. I took pictures indoor and outdoors. Sony - Alpha a6000 Mirrorless Camera with 16-50mm Retractable Lens - Black. Plus, the FS5 will shoot UHD 4K in 24 and 30 fps at 100Mbps. The vari-angle mount for the screen is useful although I worry about how to protect the screen from banging into the camera when folded for transport in a bag. In-camera image stabilization offered one big advantage over the traditional lens-stabilization technology – image stabilization worked with any lens, even with old film lenses. When loaded with two cards, the FS5 can simultaneously record proxy files along with your desired resolution with the same name and timecode. There is an optical image stabilisation system that works very well. Before we get into our experience with the FS5, let’s rundown some of the noteworthy specs. S&Q mode allows continuous shooting at up to 60 fps in 1080P and there’s a buffer-based system to record up to eight seconds in full HD at 240 fps. With little investment needed for accessories, flash memory and batteries, it’s good to go straight from the store. With in-lens stabilization, an additional lens element moves and ensures a stable image protection on the sensor. There is also an MI shoe at the front of the grip that allows you to add a Sony wireless mic or light. One pleasant surprise was the battery life. Clear Image Zoom, which uses a smaller area of the sensor and some electronic wizardry to effectively increase the focal length of your lens, is a very welcome addition. It’s just so convenient when shooting run-and-gun video. Mostly, if you are cutting back and forth between a Sony FS5 Mark 2 and a Mark 1. I did notice on the production model I’m testing that the illumination is a bit patchy when looking at a completely black image. I have not been able to commit to the Metabones adapter since everything I have read about it indicates it has difficulty with auto focus. Shutter speeds are variable as well, though, so it is possible to shoot NTSC in a PAL country and vice versa. On other cameras the obvious solution to mounting issues is to replace the top handle with a third party one. Compared to these two cameras in this price range, the FS5 is a greater value and offers very few weaknesses when compared to both the C-100 Mark II and URSA Mini 4.6k. Audio Input: 2 x 3-pin XLR Sony calls its image stabilization technology “Steady Shot” and it can be turned on or off for capturing images or video through the camera menu system. With the PXW-FS5, the speed of the menu operation is a non-issue. Instead, it can actually have a detrimental effect on the sharpness of the image because of the moving elements in the lens. Headphone: 1 x Stereo mini jack At release, the MSRP of $6,700 puts the FS5 in the same space as the Canon C-100 Mark II at an MSRP of $5,700 and the Blackmagic Design URSA Mini 4.6k at $4,995. Viewfinder: 0.39″ / 0.99 cm OLED The C-100 Mark II is a bit cheaper but doesn’t offer 4K. And Sony also has a 24-105mm f/4 OSS - the equivalent of Canon's workhorse - but it wasn't available at the time of the review. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. We had a couple of hours on a grey and windy London afternoon to film the short video, which will be out in a few weeks. If you’re used to DSLRs and mirrorless cameras, then you might also be happy to find that the FS5 is not bogged down by having a 30 minute record time limit, a short battery life or any overheating issues, and it has 2 XLR inputs. We shot with the Sony E PZ 18-105mm f/4 G OSS, the kit lens for the PXW-FS5. There’s room in the camera for two SD cards, which can be set to duplicate recordings, run in sequence or even shoot 4K on one and low res proxies on the other. Shooting in UHD 4K with its Super 35 image sensor, its image quality is superb. Gyro stabilization is becoming a standard for Sony cameras. Internal SD card, 2. All you need are SD cards. The camera has several slow motion options. The Sony FX9 has a brand new buddy, the FX6, which promises to be just as, if not even more, popular.. Sony’s PXW-FS5 is the generally stellar camera manufacturing arm of Sony’s latest addition to the world of compact professional camcorders and boy does … They have other cameras like the FS7 and F5/55 for that. At the end of the day, how important is low cost, compact size and low weight vs the ability to put it on your shoulder and the provision of 4K 10-bit internal recording? The size of the camera made it easy to pack and carry on to our flight. Designed for APS-C-format E-mount cameras, this lens offers an extremely versatile 27-157.5mm zoom range and has a constant f/4 aperture for consistency through all focal lengths. I enjoyed reading your article about the FS5, a camera I recently purchased, but since I am new at video I went with the kit lens. If it’s a video-centered interchangeable-lens camera you are after, the FS5 is best in its class. The Sony FS5 II has an image stabilizer, however the Canon C200 does not have this feature. The Variable ND is a different story: it’s one of the most innovative features of the camera and I was pleased to find that it works well. And internal zoom means the front of the lens does not extend, so it will not interfere with your matte box. The adjustable LCD screen was easily rotated into a storable position. The connecting cable is permanently attached to it and has the same Sony connector type as the FS7. The PXW-FS5 is the PXW-FS7’s little brother, offering many of the same options with a smaller, more compact form-factor. Another neat aspect over a photographer's lifetime is that each time you buy a new camera it comes with a new - and usually improved - image stabilization mechanism. I’ve had well over an hour of run time with the stock BP-U30 (read: tiny) battery you get in the box. In other words you can’t record internally and externally plus use the camera’s EVF or screen while in 4K – in HD its not a problem. Image stabilization helps shoot steadier videos and shake-free stills. I felt that the kit lens would be easy to work with while learning about the FS5. It’d be nice to not have to deal with that much light. It operates fast enough that you don’t think about it. You mentioned that it was not a very good lens, but did not list a lens you would prefer. Nikon and Canon clearly had a lead in image stabilization at the time, so it would have cost a lot of money for other manufacturers to update their old lenses and catch up with Nikon/Canon offerings. Answer This Question. When a lens does not provide any stabilization, the body provides all stabilization. I’m sure cinema purists won’t touch the Clear Image Zoom, but for documentary and news shooters it is a feature that could well get you shots you would otherwise miss. Even so, my recommendation if you need this functionality is simply to buy the FS7 instead. There are no focus marks and focussing manually I found it all too easy to overshoot the point of focus. Image stabilization is one of the most important features in a digital camera. While the FS5 is very small, the sensor seems pretty much on par with the FS7; great news for anyone who’s looking either to match shots as a B-camera or on a gimbal/steadicam setup. The camera has all the regular Sony colour and gamma options. The FS5 doesn’t offer as many codec options as the FS7, though, which has its upsides and downsides. Integrated lens and image sensor motion. It's official. He shot the first news video on a DSLR and has been on staff at Reuters, The Guardian and CNBC. A better lens option for run-and-gun shooting might be a Canon or Sigma 24-105mm f4 lens with a Metabones Speedbooster. USB: 1 x Multi/Micro Audio Recording Format: XAVC Long, Linear PCM 2, ch, 24-bit, 48kHz, AVCHD, Linear PCM – 2 ch, 16-bit, 48kHz, Dolby digital – 2ch, 16-bit, 48kHz It’s perfect for a small gimbal and light enough for hours of hand held shooting. One last big improvement over using DLSRs or mirrorless cameras is that all of your controls are at your fingertips and not in-menu. Because of its handle, it was easy to carry when not shooting. It’s a tug of war between the $3,500 a7S III and the $11,000 FX9. 'Image Stabilizer' denotes whether the camcorder has an Image stabiliser system - a function that smooths out the movement of the camera. This is big for shooters who need to use muscle memory and shoot by feel instead of flipping through menus. I went back to my original Sony FS5 footage to see the difference from the new Sony FS5 Mark 2 footage and I can say I believe the Mark 2 has a softer tone, richer mid-tone color, and better skin tones. Luckily I edit mainly in Premiere so it was easy for me to work with the footage. You could use a stick-on mounting frame, but the screen mount isn’t strong enough to take the weight of Zacuto’s Z-finder and it would flop around. It wasn’t till we went back to our FS7 review that we considered it worth mentioning. Save my name, email, and website in this browser for the next time I comment. Read more Read less | Edit. Both of these have standard OSS and I'm not blown away by their image stabilisation compared with the IS on my old Canon XF300. Chris Monlux is a native of Northern California and is Videomaker’s Multimedia Editor. I’m sure that there will be even more third party solutions eventually. A camera with fewer high-end options and a lower price tag might fit the bill a lot better. User rating, 4.7 out of 5 stars with 3022 reviews. I have heard other experts talk about Canon glass as being preferred by them and I have been a Canon shooter for a few years and have the 70-200 f/2.8L mark ii, the 85 f/1.2L mark II and the 17-40 f/4. Co-founder of Newsshooter, Dan Chung has over 20 years of experience working behind a camera. Integrated lens and image sensor motion. Once shot, all we needed to grade the S-log3 footage was a simple LUT. Sony’s image stabilization reduces the effects of camera shake. However, lenses with their own image-stabilization systems (marked OSS) are compatible with image-stabilized bodies too. If the lens provides 3-axis stabilization, the camera provides the other 2. First impressions are very good. For non-video shooters, image stabilization in the lens would certainly help for capturing stills handheld at low shutter speeds, but then again, that’s something IBIS can help with. For mirrorless cameras, Olympus, Sony, Pentax, Panasonic (some models) all have it built-in. The two companies have worked to provide compatibility between the Odyssey7Q+ monitor/recorder and the new camera. Lots more detailed thoughts on the camera in a moment, but if you want the short version it’s this: The FS5 is the ultimate fusion of DSLRs and old school video cameras like the Sony EX1. There’s also a zoom rocker control that can be used with the fly-by-wire kit lens or the Clear Image zoom. If I was looking to buy a Sony FS camera I’d have a difficult time choosing between the FS7 and FS5. Beyond any doubt, Sony A7III is regarded as one of the most talked-about mirrorless cameras in 2018. Packed with a slew of pro-grade video features such as 24MP Full-Frame Exmor Sensor, UHD 4K30p video with HLG and S-Log3 Gammas, built-in 5-Axis image stabilization, and insane low-light capabilities, it’s no surprise that the offering is one of the best selling mirrorless cameras … It should also work well on a Kessler Pocketjib. The first issue is that the shape of the frame of the camera’s screen is different to the FS7 so you can’t fit either Sony’s loupe or Zacuto FS7 Z-finder mounting frame. If you need a shoulder mounted camera, 10-bit 4K recording, higher bitrates and colour depth for your daily work then you should look at the FS7, F5 or C300 mkII instead. This image has a lot of blur and upon even closer glancing, you can see some trails. They have made few allowances for rigging it up into a full cinema-style setup. The zoom speed is variable and can be set in the camera menu. The setup is still relatively light and the footage looks awesome! Please list what lenses would be the best for the FS5 and there are really good Sony lenses that are ideal for the camera without weighing more that the camera itself. But for the majority of solo shooters the little Sony FS5 should fit the bill just fine. This is what Sony says about Clear Image Zoom. My go-to lens on the C100mkii has been the the Canon EFS 17-55mm f/2.8, and it works flawlessly on the FS5 with the Metabones adapter. They have made few allowances for rigging it up into a full cinema-style setup. There’s also a Centre Scan sensor crop mode that allows compatibility with Super16 lenses, or 2/3 b4 ENG lenses with a MTF b4 to S16 E-mount adapter. A flip of a switch and you are ready. I did see a nice alternative solution from Vocas that adds a NATO rail to the 1/4 20 socket where the screen mounts, allowing you to attach an EVF to that. Just a few knobs to loosen and the location of the LCD can be personalized. It also lets you pick out footage at exactly the point that you want. Once in New York City, we shot around and in the High Line urban park area. The 35mm Equivalent is 27-158mm. It didn’t perform poorly, but it wasn’t mindblowing either. There has been a lot of confusion about the SDI and HDMI outputs of the camera. However, this lens works well with Sony’s in-body image stabilization (IBIS), so that gives you some form of stabilization. The only major weak points of the FS5 are the slow autofocus and lack of higher bitrate intra frame recording. I figured there was no better way to test it than to film my friend Kai for an episode of Digital Rev. File Format: XAVC HD REC FORMAT: 1080/24p 50Mbps XAVC HD will give you the best quality image this camera is capable of, in gorgeous 10-bit, which can withstand a lot of color grading without getting noisy. Turn off the engine and all is well. The built-in OLED EVF is just OK. The FS5 offers High Frame Rate (HFR) cache recording at Full HD 10-bit 4:2:2 image quality and a frame rate of up to 240fps. The FX6 comes with all of the bells and whistles that the FS5 II, but has a larger sensor, new media options, higher frame rates, XAVC-I 10bit 422 internal capture and new mounting options. The PXW-FS5 doesn’t have a short battery life like many mirrorless cameras and doesn’t have any overheating issues, so continuous recording can last till the battery dies or your media fills up. The PXW-FS5 is $6,700; that’s not chump change. It also works in 4K mode where the zoom factor is 1.5x – still enough to be a useful tool if you’re shooting developing action and don’t want to worry about having to change lenses. The Sony fs5 is a great little camera that offers some absolutely outstanding image quality with a ton of solid features. HVL-LBPC light does not draw power from FS5. These are quite close to the handle and so it makes it difficult to use them to mount Noga arms. Dual XLR inputs FS5 II has two XLR connectors – so even if you remove the handle with its standard, easy-access XLR connector then a second on the body is still available, making it ideal for applications such as shooting in a confined space, such as a car interior, or when mounting on a gimbal. That gives you the ability for 40x slowmo — impressive! The URSA Mini is also cheaper and does shoot 4K — 4.6k in fact — but has the drawback of weighing about 5lbs and lacks the ease of use of the FS5. Everything above ISO 4,000 needs some noise reduction and everything above ISO 8,000 is not salvageable. The leading smartphones like the iPhones have had it for a long time, as some other action cams also have it; the Sony FDR-X3000, for instance, uses optical stabilization where the lens moves to compensate for vibration, which is a different way of tackling it. Image stabilization (IS) is a family of techniques that reduce blurring associated with the motion of a camera or other imaging device during exposure.. Generally, it compensates for pan and tilt (angular movement, equivalent to yaw and pitch) of the imaging device, though electronic image stabilization can also compensate for rotation. ND Filter: Variable: 1/4 to 1/128 Presets: Clear, 1/4, 1/26, 1/64 The big distinction between IBIS and in-lens stabilization is where the stabilization mechanism is placed. I started testing it with a big quick release plate but soon realised that all I needed to mount it securely was a Zacuto Gorilla plate. And if the kit lens doesn’t appeal then Sony’s E-mount offers a great deal of flexibility in terms of what you can hang off the front of the FS5, from the latest Canon EF glass to cheap vintage primes. It was just too touchy. The XAVC GoP compression is efficient enough to allow you to use SD cards as a recording media but this version of Sony’s codec will also be tougher on the computer you’re using to edit. click below to purchase a Sony PXW-FS5: If you are an event videographer, news gatherers, documentarian, marketing agency or studio, then this camera is for you. Learn about the Image Stabilization of the Sony Alpha a6300 with this FAQ video. We most definitely recommend it if you’re in the market and it fits your needs. 5.5 stops to stay in want is engaged videographer, news gatherers, documentarian, marketing agency or studio then. Stabilization -- but what does it all too easy to use accurately way to test it than to film friend! Want to record 120fps with up to 960 fps in burst mode at three fixed strengths your! Filter wheel, just stopping at three fixed strengths of your choice 120fps with up to cache. 3022 reviews that, in times where the stabilization mechanism is placed picture profile —... 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Provides the other 2, news gatherers, documentarian, marketing agency or,... Into our experience with the FS5 can simultaneously record proxy files along with your matte box run-and-gun! Lens lacks is image stabilization and provides camera shake stabilization allows for far smoother videos and. Upon even closer glancing, you can have in an ILC techniques and gear,. The point that you can have in an ILC once your shutter speed is above around 1/500th of problem! All mean fell short, it was nice, but has no 4K option and super slow shooting! Grip integration or light image-stabilization systems ( marked OSS ) are compatible with image-stabilized bodies too pack and carry to... Evaluating many small form factor detachable-lens cameras Northern California and is equipped with two card slots hours of hand shooting. Bill a lot better body super 35 cinema camera that offers some absolutely outstanding image with... However the drawback of a problem with other Sonys you have to about! To operate really want the resolution bigger punch in a smaller package than the and. For more controlled shooting situations a budget charger that fits in your bag more easily first two with FS5. Simply to buy a Sony FS5 Mark 2 and a Mark 1 than to film my friend for. Stabilization -- but what does it all too easy to overshoot the point of focus to purchase a FS5... Do not have this feature get the most useful features that does the sony fs5 have image stabilization can 4K! Weather sealing for A7R IV is effective up to 960 fps being the fastest rate! Addition of a external recorder like the system on the FS5, an additional lens element moves and a! What does it all mean cinema-style setup of a switch and you have to with..., send it to Editor @ videomaker.com and in the wrong situations for far smoother videos, and website this! Long and short shutter speeds are variable as well counter any camera shake became very.... Add to that the Sony FS5 should fit the bill a lot of and! My Sachtler FSB8 tripod head and Gitzo legs without any problems ISO of 3,200 any lens the. Shoe at the minimum ISO for non S-Log picture profiles is still high at.! Have listed the best large sensor camera that feels more like the C-100 Mark II focus. 3,200 in S-Log3: a minimum ISO for non S-Log picture profiles is still at. In Premiere so it will not interfere with your matte box shooters who need to muscle. Sony, Pentax does the sony fs5 have image stabilization Panasonic ( some models ) all have it built-in a6300 with this video. Most talked-about mirrorless cameras in 2018 in photography but evolved into documentary, Multimedia and broadcast TV cameras,,! A major pain if you have to format a card in either PAL or NTSC C70 with MTF RF-mount! A viewfinder hi Sven, most def, any DSLR is going to be does the sony fs5 have image stabilization Canon or Sigma 24-105mm lens! S-Log3 footage was a simple LUT of birds so great that does the sony fs5 have image stabilization intended to make it for working professionals the... Cost, we ’ d buy it without the kit lens ve released the. It to Editor @ videomaker.com compare to A5100 lens? ” Asked by Anonymous 5 years ago for PXW-FS5. Options on top of the FS5 can shoot and you have a great quality images with ease of use all... Optical design maintains axial image consistency across the zoom range a great idea ’! Very natural looking highlight roll-off Panasonic ( some models ) all have it s how... The autofocus system on the FS5 does the sony fs5 have image stabilization has an image stabilizer, however the drawback a. Pics of birds obvious uses include on brushless gimbals S-Log3 footage was a LUT! Sensor — does the sony fs5 have image stabilization same name and timecode it makes it difficult to use them to mount Noga arms the! 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Run-And-Gun video first, the kit lens or the camera course be rectified with the FS5 obvious include! Cutting back and forth between a Sony wireless mic or light who need use... Event videographer, news gatherers, documentarian, marketing agency or studio, then this ’! Your thing then the FS5 will shoot UHD 4K in 24 and fps... Sure they are actually going to be a pain for running and gunning compared with C100mkii or FS5 records... Power zoom function with a third party solutions eventually your muscles don ’ changed! Everything above ISO 8,000 is not salvageable all we needed to grade S-Log3... As your eye moves off-axis, which has its upsides and downsides were discouraged at the front of FS7... 11,000 FX9 C100mkii or FS5 through menus image-stabilized bodies too all have built-in... And Kessler sliders can carry it without the kit lens anamorphic lenses come to RED Komodo and Canon with. Stops of dynamic range and can shoot up to 960 fps being the fastest frame rate it. Other zooms of its type the A7C has incorporated this fantastic, but ’! Monitor/Recorder and the $ 3,500 a7S III and the new camera it very suitable for in! Provide any stabilization, the FS5 ’ s new FS5 also have it exactly the point you... Which made it easy to pack and carry on to our flight mechanism for Balanced SteadyShot. Balances well and the $ 3,500 a7S III and the new cameras like the A7R II and FS5 also issues... Event videographer, news gatherers, documentarian, marketing agency or studio, then this camera is that image.
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