Through Nov. 11. Through Nov. 9. Umar Rashid (Frohawk Two Feathers), “The World You Know is a Fiction…” at the Vincent Price Art Museum. In his first exhibition with the gallery, the New York artist is presenting a series of portraits inspired by collage: curious, cobbled-together figures that are composed of fragments of photos and advertising, but which Quinn renders painstakingly by hand. “Like a lot of people during the pandemic, I fell off” the wagon, pop star Miley Cyrus told Rolling Stone of her recent relapse. Expect a full, wild immersion. But rather than present these as objects of utility, Zaki is interested, primarily, in their sculptural qualities. This fall, the MexiCali Biennial brings Calafia: Manifesting the Terrestrial Paradise to the Armory.Exhibiting Artists Juan Bastardo, Chelle Barbour, Mely Barragán, Miguel Buenrostro, Chris Christion, Cog•nate Collective, Abigail Raphael Collins, Yutsil Cruz, Nikki Darling & Dean Erdmann, David de Rozas, Melora Garcia, Invasorix, Maya Mackrandilal, Hillary Mushkin, Chinwe Okona, noé olivas, Jeniffer Pereda, Adee Roberson, Mónica Rodríguez, Sandy Rodriguez, Julio M. Romero, Enid Baxter Ryce, Timo Saarelma, Paulina Sánchez, Jessica Sevilla, Amanda Trager & Erik Moskowitz, Diane Williams, Kim Zumpfe, Must-See 2019 Fall Exhibitions in Los Angeles (Hyperallergic)Datebook: A cross-border show inspired by a mythical California of woman warriors (Los Angeles Times)Visions of California That Don’t Begin or End at the Border Wall (Hyperallergic) Looking at California and Mexico From Indigenous Perspectives (Hyperallergic). The Argentine artist has spent two months in residency at the museum working on a suite of drawings that parallel the brutal similarities between desert and ocean. An open discussion for shared reflections around the present, past, and future narratives from the extended region now known as California, US and Baja California, MX. In his second solo exhibition at Regen, Gates is taking his own wardrobe as a point of inspiration for a series of works that will come together to form a large-scale sculpture. “Marks From Birth,” 2018, by Carmen Argote, part of “Paroxysm of Sublime” at LACE. Dana Nachman’s “Dear Santa” documentary offers a behind-the-scenes look at the USPS’ century-old Operation Santa program. The piece will kick off with an immersive performance. Additional closures of California businesses and activities will be based on projections of regional intensive care unit capacity. Colson takes elements of modern life and renders them in absurd ways — a painted taxonomy of pillows, for example. Through Oct. 27. “Bakeru: Transforming Spirits,” at Japan House. Through Nov. 14. 10808 Culver Blvd., Culver City, wendemuseum.org. This show gathers elements from that archive as well as video works by a range of Los Angeles artists, including Jim Shaw, Susan Mogul and Reza Abdoh. This exhibition looks at the television panorama in Eastern Europe during the Cold War. 2019 CALAFIA: Manifesting the Terrestrial Paradise, MexiCali Biennial, The Armory Center for the Arts, Pasadena, California The move follows other lawsuits against Netflix related to executive poaching. Drawn from the archives of the Wilson Centre for Photography in London, this exhibition features more than 100 seldom-displayed salt prints that hark back to the earliest days of photography. (Richard Cross / Tom & Ethel Bradley Center, CSUN). This led various Brazilian photographers to travel to the U.S. to photograph poverty here. 600 State Dr., Exposition Park, caamuseum.org. Through Nov. 3. This project, devoted to contemporary art made in and about Vietnam, takes several forms, including an exhibition, a program series and a related website. In 2016 she was an Artist-in-Residence at Arts Initiative Tokyo. Right from its glamour of Hollywood, fertile paradise and all the riches can be traced back to ca.1500, the time period of “Calafia”, represented as a beautiful queen, a symbol of fertility and beauty, po 6750 Santa Monica Blvd., Hollywood, regenprojects.com. As part of a project that was jointly curated by VPAM and the Huntington Library, Art Collections and Botanical Gardens, Caycedo spent time at the Huntington making a work that responded to the museum collection: a collaborative dance piece with choreographer Marina Magalhães that was inspired by indigenous and African dance practices and which, in many ways, responds to the issues of colonization raised by the entire Huntington enterprise. This exhibition creates pairings of two types of vessels: broken ceramic containers and the undulating concrete skateparks that dot the California landscape. Juan Bastardo, Haters Are Gonna Hate, the Pacific Coast Ungodly Giver in the Gold Rush... (2018); Mixed media sculpture, 48 x 96 x 11 in. A group show explores the notion of “solastalgia” (a blend of the words “solace” and “nostalgia”), the feelings of distress that occur with changes in a person’s natural environment. clock. Opens Saturday and runs through Nov. 3. 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